Yet using markers has never been a straightforward process. But apart from these specialized functions, markers accomplish a core editing task: they identify important frames in a clip or sequence. Enhanced markersĭepending on the type of video output you have planned, you can use markers to specify DVD chapters, Web links, Flash cue points, or to contain comments. Using the new Button Editor, you can choose which buttons to include in each monitor and which to omit. Using the new Button Editor, a user can choose which buttons to include under each monitor and, just as importantly, which to omit.
#ADOBE ENCORE CS6 BLU RAY TUTORIAL PRO#
Premiere Pro CS6 replaces the inelegant layout of playback and editing controls found in previous versions with a more streamlined arrangement that you can customize and even hide. Even so, none could be moved or removed from the panel. Some controls felt obsolete, while others were made redundant by speedier keyboard equivalents. Before CS6, the layout of the various playback and editing controls squandered as much space as they consumed. Accordingly, the displays for the source and edited video are the interface’s most prominent feature-and the most conspicuous change in Premiere Pro CS6. Monitor panel improvementsĬutting raw footage into a finished sequence is the central activity of any non-linear editor. Premiere Pro CS6’s new interface design helps boost productivity. These features make working with icons much easier, and make storyboard style organization and editing not just more feasible but more attractive.Įxcept for setting In and Out points, the same icon view features are also present in the Media Browser panel, where you can browse and preview assets before importing them. A new slider lets you resize the thumbnails themselves. CS6’s icon view dynamically shifts the thumbnails as you reorder them or resize the panel. In previous versions, rearranging clips in icon view meant dragging and dropping thumbnails in a fixed grid that didn’t automatically remove gaps between thumbnails or reflow them according to the size of the panel. Consequently, it’s often more convenient to edit a clip right in the Project panel. You can even set a clip’s In and Out points by using the standard shortcuts, I and O. You can also control a thumbnail’s video and audio playback by selecting it and using standard J-K-L keyboard shortcuts. If inadvertent scrubbing becomes a distraction, you can disable Hover Scrub in the Project panel’s menu. This feature, called hover scrub, provides a much better reminder of a clip’s contents, and obviates the need for the separate preview area. CS6’s icon view lets you scrub video playback (without audio) by moving the mouse pointer over a thumbnail image. In previous versions, icon view’s video thumbnails were static playback was possible only in a separate preview area of the Project panel.
#ADOBE ENCORE CS6 BLU RAY TUTORIAL FULL#
CS6 includes several enhancements designed to take full advantage of icon view’s visually oriented approach to organizing clips. Premiere Pro’s Project panel has always let you view and organize assets in list form or as large icons. Premiere Pro’s companion DVD authoring program, Encore, is now a 64-bit application. The new release is also designed to integrate two newcomers to the Creative Suite: Adobe Prelude for ingesting and logging file-based media, and Adobe SpeedGrade, a color correction and grading tool. Whereas Premiere Pro CS5’s most notable features-64-bit processing and the Mercury Playback Engine-were under the hood, the CS6 interface has undergone a comprehensive redesign that not only transforms the overall look and feel of the program, but facilitates a more efficient editing workflow. Adobe Premiere Pro CS6‘s aesthetic and workflow improvements over the previous version are immediately obvious at first glance.
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